Ultimately the man was attracted by the closed door of the Weary Gentleman saloon. He went to it and, hammering with a revolver, demanded drink.

The door remaining imperturbable, he picked a bit of paper from the walk, and nailed it to the framework with a knife. He then turned his back contemptuously upon this popular resort and, walking to the opposite side of the street and spinning there on his heel quickly and lithely, fired at the bit of paper. He missed it by a half-inch. He swore at himself, and went away. Later, he comfortably fusilladed the windows of his most intimate friend. The man was playing with this town. It was a toy for him.

But still there was no offer of fight. The name of Jack Potter, his ancient antagonist, entered his mind, and he concluded that it would be a glad thing if he should go to Potter’s house, and by bombardment induce him to come out and fight. He moved in the direction of his desire, chanting Apache scalp-music.

When he arrived at it, Potter’s house presented the same still front as had the other adobes. Taking up a strategic position, the man howled a challenge. But this house regarded him as might a great stone god. It gave no sign. After a decent wait, the man howled further challenges, mingling with them wonderful epithets.

Presently there came the spectacle of a man churning himself into deepest rage over the immobility of a house. He fumed at it as the winter wind attacks a prairie cabin in the North. To the distance there should have gone the sound of a tumult like the fighting of two hundred Mexicans. As necessity bade him, he paused for breath or to reload his revolvers.

IV

Potter and his bride walked sheepishly and with speed. Sometimes they laughed together shamefacedly and low.

“Next corner, dear,” he said finally.

They put forth the efforts of a pair walking bowed against a strong wind. Potter was about to raise a finger to point the first appearance of the new home when, as they circled the corner, they came face to face with a man in a maroon-colored shirt, who was feverishly pushing cartridges into a large revolver. Upon the instant the man dropped his revolver to the ground, and, like lightning, whipped another from its holster. The second weapon was aimed at the bridegroom’s chest.

There was a silence. Potter’s mouth seemed to be merely a grave for his tongue. He exhibited an instinct to at once loosen his arm from the woman’s grip, and he dropped the bag to the sand. As for the bride, her face had gone as yellow as old cloth. She was a slave to hideous rites, gazing at the apparitional snake.

The two men faced each other at a distance of three paces. He of the revolver smiled with a new and quiet ferocity.

“Tried to sneak up on me,” he said. “Tried to sneak up on me!” His eyes grew more baleful. As Potter made a slight movement, the man thrust his revolver venomously forward. “No; don’t you do it, Jack Potter. Don’t you move a finger toward a gun just yet. Don’t you move an eyelash. The time has come for me to settle with you, and I’m goin’ to do it my own way, and loaf along with no interferin’. So if you don’t want a gun bent on you, just mind what I tell you.”

Potter looked at his enemy. “I ain’t got a gun on me, Scratchy,” he said. “Honest, I ain’t.” He was stiffening and steadying, but yet somewhere at the back of his mind a vision of the Pullman floated: the sea-green figured velvet, the shining brass, silver, and glass, the wood that gleamed as darkly brilliant as the surface of a pool of oil—all the glory of the marriage, the environment of the new estate. “You know I fight when it comes to fighting, Scratchy Wilson; but I ain’t got a gun on me. You’ll have to do all the shootin’ yourself.”

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